Rajasthan History, Art and Culture: RAS Prelims MCQs
1767 RAS Prelims practice MCQs on the history, art, culture, literature and heritage of Rajasthan are on this page, in 17 chapters. They run from prehistoric sites and inscriptions through the Rajput dynasties, the Mughal and British periods and the integration of Rajasthan, then move to forts, painting, folk arts, language, saints, fairs and leading personalities. Questions come as plain facts, statement sets, match-the-list tables and assertion-reason items, each with an answer and an explanation.
Practice questions based on the RPSC RAS Prelims syllabus. They follow the exam pattern but are not past-paper questions.
Showing 1661–1670 of 1767 questions
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RAS PrelimsRajasthan History, Art and Culture · Social Life: Fairs, Festivals, Customs and Attires
Q1661. Consider the following traditional ornaments and their corresponding body parts: I. Borla - Head II. Aad - Neck III. Bajuband - Arm IV. Payal - Foot Which of the above combination of ornaments and body parts is correct?
Explanation
Traditional Rajasthani jewelry includes specific ornaments for every part of the body. The Borla is a bell-shaped ornament worn on the head or forehead. The Aad is a heavy necklace worn around the neck. The Bajuband is an armlet worn on the upper arm, and Payal (or Pajeb) are anklets worn on the feet. Together, these ornaments complete the traditional decorative attire for women.
RAS PrelimsRajasthan History, Art and Culture · Social Life: Fairs, Festivals, Customs and Attires
Q1662. Which of the following pairs is correctly matched regarding head/forehead ornaments worn by Rajasthani women?
Explanation
Traditional head and forehead ornaments serve as vital cultural markers for women in Rajasthan. The Rakhdi is a prominent ornament worn on the forehead, often signifying marital status. In contrast, other ornaments like the Tika are also for the forehead, while items like Surliya are for the ears and Chup is associated with the teeth, reflecting the state’s diverse decorative practices.
RAS PrelimsRajasthan History, Art and Culture · Social Life: Fairs, Festivals, Customs and Attires
Q1663. In the traditional jewelry of Rajasthan, the ‘Aad’ is predominantly a heavy ornament worn around the:
Explanation
In the traditional jewelry of Rajasthan, the ‘Aad’ is a prominent and heavy ornament worn exclusively around the neck. It is a large, rectangular or square-shaped choker, often made of gold and studded with precious stones. The Aad is considered a hallmark of Rajput jewelry and is traditionally worn by brides and married women during weddings and other significant festive occasions.
RAS PrelimsRajasthan History, Art and Culture · Social Life: Fairs, Festivals, Customs and Attires
Q1664. Identify the incorrect statement regarding the ‘Nath’:
Explanation
The ‘Nath’ is a traditional nose ring that holds significant cultural value in Rajasthan. It is often elaborately designed and studded with stones, serving as a symbol of marital status in many communities. However, the claim that it is worn on the toes is incorrect. Toe rings are a separate type of ornament known as ‘Bichhiya’, which are also symbolic of marriage.
RAS PrelimsRajasthan History, Art and Culture · Social Life: Fairs, Festivals, Customs and Attires
Q1665. The ‘Bajuband’ or ‘Baju’ is an ornament traditionally worn on which part of the body?
Explanation
The ‘Bajuband’ or ‘Baju’ is a traditional ornament worn on the upper arm by women in Rajasthan. These armlets are often made of gold or silver and can be intricately designed with enamel work or precious stones. They are typically worn in pairs and are an essential part of the formal decorative attire used during weddings, festivals, and other major social ceremonies.
RAS PrelimsRajasthan History, Art and Culture · Social Life: Fairs, Festivals, Customs and Attires
Q1666. The traditional practice of married women wearing silver ‘Bichhiya’ (toe rings) and ‘Payal’ is often explained in local customs through the concept of:
Explanation
Beyond their aesthetic value, traditional ornaments like the silver ‘Bichhiya’ (toe rings) are often believed to have health benefits. In local customs, it is thought that wearing toe rings on the second toe applies pressure to certain nerves. This pressure is believed to regulate the menstrual cycle and improve reproductive health, illustrating how traditional practices often blend biological beliefs with cultural ornamentation.
RAS PrelimsRajasthan History, Art and Culture · Social Life: Fairs, Festivals, Customs and Attires
Q1667. Identify the odd one out among the following ornaments, which is typically worn on the ear rather than the neck:
Explanation
While many traditional ornaments like Timaniya, Hamel, and Madaliya are worn around the neck, the ‘Surliya’ is an exception. The Surliya is a specific type of ornament designed to be worn on the ears. It is often intricately crafted and hangs from the earlobe, reflecting the immense variety of jewelry used by Rajasthani women to adorn different parts of their bodies for festivals.
RAS PrelimsRajasthan History, Art and Culture · Social Life: Fairs, Festivals, Customs and Attires
Q1668. The traditional ornaments ‘Chup’ and ‘Rakhana’ are uniquely associated with which part of the human body?
Explanation
Rajasthan possesses a unique variety of ornaments for almost every part of the human body. Chup and Rakhana are specific types of jewelry worn on the teeth. These involve the insertion of gold or silver studs or plates into the teeth, serving as both a decorative element and a traditional marker of beauty or status within certain regional and tribal communities in the state.
RAS PrelimsRajasthan History, Art and Culture · Social Life: Fairs, Festivals, Customs and Attires
Q1669. Which of the following is an exception and is NOT an ornament worn on the feet or ankles by women in Rajasthan?
Explanation
Various traditional ornaments are specifically designed for the lower body. Nevari, Hirnamain, and Awla are all types of jewelry worn on the feet or ankles by women in Rajasthan. In contrast, the ‘Tagdi’ is an exception as it is worn around the waist. It is a chain or belt-like ornament, often made of silver, that rests on the hips and secures the Ghagra.
RAS PrelimsRajasthan History, Art and Culture · Social Life: Fairs, Festivals, Customs and Attires
Q1670. Consider the following statements regarding changing social customs and historical legislations in Rajasthan: I. The Sharda Act of 1929 was a pioneering step to curb the practice of child marriage. II. The Walterkrit Rajput Hitkarini Sabha worked towards regulating marriage expenses and promoting education among Rajputs. III. The Rajasthan Prevention of Mrityu Bhoj Act was passed to stop the financially ruinous custom of death feasts. IV. Desh Hiteshini Sabha was established in Mewar to combat social evils like dowry. V. The Sati (Prevention) Act was promulgated by the Rajasthan Government in 1987. Which of the above combinations of statements is correct?
Explanation
Rajasthan’s history includes significant efforts to address social issues through legislation and community action. The Sharda Act targeted child marriage, while the Walterkrit and Desh Hiteshini Sabhas worked to reduce marriage expenses and dowry. Modern laws like the Prevention of Mrityu Bhoj Act and the Sati Prevention Act continue this reformist tradition, aiming to modernize society and protect vulnerable individuals in the community.
Answer key for these questions
Q
Correct answer
1661
(c) I, II, III, and IV
1662
(a) Rakhdi - Forehead
1663
(d) Neck
1664
(b) It is typically worn on the toes by unmarried girls.
1665
(c) Upper arm
1666
(d) Acupressure effects on nerves connected to the reproductive system
1667
(a) Surliya
1668
(b) Teeth
1669
(a) Tagdi
1670
(c) I, II, III, IV, and V
Key facts from Rajasthan History, Art and Culture
Rajasthan history questions are fact-dense: sites with their districts, rulers with their forts, inscriptions with their dates.
The integration of Rajasthan came in stages: the Matsya Union on 18 March 1948, the Rajasthan Union on 25 March 1948 and the United State of Rajasthan on 18 April 1948.
Culture chapters reward pairs: a dance with its community, a painting school with its subject, a fair with its month.
Statement-based and match-the-list items appear in every chapter, so partial knowledge is not enough; learn each fact with its context.
Fort and monument questions often turn on one detail, such as the Jaivana cannon at Jaigarh or the 1,444 pillars of Ranakpur.
Frequently asked questions
How many RAS Prelims practice MCQs are there on Rajasthan History, Art and Culture?
This page has 1767 practice MCQs on Rajasthan History, Art and Culture. Each has the correct answer, and most have an explanation.
Which chapters does the Rajasthan history, art and culture set cover?
Seventeen chapters: prehistoric Rajasthan, sources of history, ancient society, major dynasties, resistance and cooperation with central power, administration and revenue, the 18th and 19th centuries, peasant and tribal movements, integration, temples and forts, water heritage, painting, performing arts, language, religious life, social life and leading personalities.
What types of questions are included?
Plain one-fact questions, statement sets (I, II, III), match-the-list tables, assertion-reason items, chronological-order questions and odd-one-out questions. The answer options use the same four-option format as the exam, so you can practise the pattern as well as the facts.
How should I revise Rajasthan history with these questions?
Take one chapter at a time. Attempt every question before opening the answer, read the explanation for the ones you got wrong and note each fact in a running list of places, rulers and dates. Return to the chapter after a few days and attempt it again.
