Mudras and Hand Gestures
Art & Culture › Dance Forms · Topic 5.5
Mudras are hand gestures used in Indian classical dance, yoga, ritual and sacred art to express meaning and feeling. In dance they are described in the Natya Shastra and the Abhinaya Darpana of Nandikeshvara, and are divided into Asamyuta hastas (single-hand, 28 in Abhinaya Darpana) and Samyuta hastas (double-hand, 23 in Abhinaya Darpana). Well-known examples are Pataka (flag), Tripataka, Katakamukha, Mayura (peacock), Alapadma (lotus) and Anjali (salutation, a double-hand mudra). In Buddhist and Hindu images mudras such as Abhaya (fearlessness), Varada (boon), Bhumisparsha (earth-touching) and Dharmachakra (teaching) are asked often in the exam.
5 min read · UPSC Prelims · Art & Culture · Dance Forms
At a Glance
- Text Abhinaya Darpana, Natya Shastra
- Single hand Asamyuta hasta
- Double hand Samyuta hasta
- Count 28 and 23 in Abhinaya Darpana
- Also used in Yoga, ritual, Buddhist art
- Exam link UPSC Prelims, Art and Culture: Dance Forms
Where Does It Fit?
This topic follows the eight classical dance forms and explains the gesture language shared by all of them. The same mudras also appear in sculpture and painting. Previous topic: Eight Classical Dance Forms (Bharatanatyam, Kathak, Kathakali, Kuchipudi, Odissi, Manipuri, Mohiniyattam, Sattriya). Next topic: Folk Dances (Bihu, Garba, Ghoomar, Chhau, Dandiya).
What Are the Main Asamyuta and Samyuta Hastas?
| Type | Mudra | Meaning or use |
|---|---|---|
| Asamyuta (single hand) | Pataka | Flag. Fingers straight, used for cloud, forest, river, blessing |
| Asamyuta | Tripataka | Three parts of flag; ring finger bent, used for crown, tree, lamp |
| Asamyuta | Ardhapataka | Half flag, used for leaf, knife, tower |
| Asamyuta | Kartarimukha | Scissors face; used for separation, lightning |
| Asamyuta | Mayura | Peacock; used for peacock, applying tilak, creeper |
| Asamyuta | Shikhara | Peak; used for bow, pillar, love |
| Asamyuta | Katakamukha | Opening in a bracelet; used for picking flowers, garland, pulling the bow |
| Asamyuta | Alapadma | Fully opened lotus; used for beauty, full moon, a village |
| Samyuta (double hand) | Anjali | Folded palms; salutation, prayer, respect |
| Samyuta | Kapota | Dove; used for greeting, humility, taking an oath |
| Samyuta | Karkata | Crab; used for a conch, a stout person, stretching |
| Samyuta | Swastika | Crossed wrists; used for crossing and for the swastika sign |
| Samyuta | Dola | Swing; used for the starting position and a swing |
| Samyuta | Pushpaputa | Handful of flowers; offering |
Which Mudras Are Seen in Buddhist and Hindu Images?
| Mudra | Gesture | Meaning and example |
|---|---|---|
| Abhaya | Right palm raised, fingers up | Fearlessness and protection; seen in Buddha and Jain Tirthankara images |
| Varada | Palm open facing down | Granting a wish, giving a boon, charity |
| Bhumisparsha | Right hand touching the earth | Buddha calling earth as witness at Bodh Gaya; Buddha statue in sitting posture |
| Dharmachakra | Both hands in front of the chest, forming a wheel | First sermon at Sarnath, setting the wheel of law in motion |
| Dhyana | Both hands in the lap, palms up | Meditation; in Buddha and Shiva images |
| Vitarka | Thumb and forefinger touch, others raised | Teaching and discussion |
| Anjali | Folded hands | Greeting, Namaste, prayer |
| Chin and Gyan | Thumb and forefinger form a circle | Knowledge and consciousness in yoga |
What Else Should You Remember?
- Hasta: the Sanskrit word for hand; mudra means seal, sign or gesture. In dance both words are used, though hasta is more precise
- Natya Shastra count: the Natya Shastra lists 24 Asamyuta, 13 Samyuta and 13 Nrittahastas, while the Abhinaya Darpana counts 28 Asamyuta and 23 Samyuta, so the numbers depend on the source
- Other gesture groups: besides hands, dance uses drishti bheda (eye movements), shiro bheda (head), griva bheda (neck), and pada bheda (foot movements)
- Kathakali: uses a system of 24 basic mudras with many more combinations, and is the most mudra-rich dance form
- Natya Shastra and gesture: Nandikeshvara, the author of the Abhinaya Darpana, is a mythical sage, a companion of Shiva
- Yoga mudras: in yoga and tantra, mudras such as Gyan, Prana and Apana are used in meditation and breathing practice
- Buddhist art: Bamiyan, Ajanta, Sarnath and Gandhara images show Buddhist mudras, a theme asked in questions on sculpture
- Gandhara and Mathura: the Gandhara school mostly shows Abhaya and Dhyana mudras, and the Mathura school shows Abhaya and Varada
- Hand and rasa: mudras carry the sense of the song, while the face carries the rasa, as in Rasa and Bhava Theory
- Jain and Hindu: Jain Tirthankaras are shown in Kayotsarga (standing) and Padmasana (seated); Hindu gods are shown with Abhaya and Varada mudras
- Training: students learn mudras early, usually from the shloka that names each gesture, and practise them in front of a mirror before combining them into phrases of a song
- Spelling variants: Mudra may be written mudra or mudraa, Abhaya as Abhay, and Bhumisparsha as Bhumisparsh
Why Does It Matter for the Exam?
- Counts: Asamyuta and Samyuta numbers, which depend on the source
- Names: Pataka, Tripataka, Anjali and their meaning
- Buddhist art: Abhaya, Varada, Bhumisparsha, Dharmachakra, Dhyana
- Text: Abhinaya Darpana of Nandikeshvara
- Common errors: mixing Dharmachakra with Bhumisparsha, or placing Anjali as a single-hand mudra
As an analytical point, mudras are a sign language that connects dance, ritual, sculpture and yoga. They show how a single visual vocabulary can carry meaning across religion and art.
Why Is This Topic Important?
- Types Single and double hand
- Buddhist art Mudra identification
- Text Abhinaya Darpana
What Came Next?
The next topic covers folk dances of India such as Bihu, Garba, Ghoomar, Chhau and Dandiya. Next topic: Folk Dances (Bihu, Garba, Ghoomar, Chhau, Dandiya).
Key People and Terms
- Mudra Gesture or seal
- Hasta Hand
- Asamyuta Single hand
- Samyuta Double hand
- Pataka Flag gesture
- Anjali Salutation
Exam Corner
Points to Remember
- Text: Abhinaya Darpana.
- Single hand: Asamyuta; double: Samyuta.
- Fearlessness: Abhaya.
- Earth-touching: Bhumisparsha.
- Teaching: Dharmachakra.
Do Not Confuse With
- Asamyuta and Samyuta One hand versus two hands
- Bhumisparsha and Dharmachakra Calling earth versus first sermon
- Abhaya and Varada Protection versus boon
Memory Hook
One hand, Asamyuta; two hands, Samyuta; palm up, no fear; palm down, a boon.
Mains Angle
Questions ask for links between art forms. These points give a frame.
- Common language Dance, sculpture, yoga
- Continuity Texts to modern practice
- Teaching Training of young dancers
A Question You May Face
An original practice question, not a past paper question.
“Mudras connect dance, sculpture and ritual in Indian culture. Explain.”
How to Answer
- Meaning Define mudras.
- Types Hands and others.
- Link Dance, Buddhist art.
- Way Teach and document.
GS Relevance
Frequently Asked Questions
What are mudras in Indian dance?
Mudras are standard hand gestures used in Indian classical dance to show objects, ideas and emotions. They are described in the Natya Shastra and the Abhinaya Darpana and are combined with face and body movement. The Sanskrit word hasta is also used for hand gestures.
What is the difference between Asamyuta and Samyuta hasta?
Asamyuta hastas are gestures made with a single hand, such as Pataka, Tripataka and Mayura. Samyuta hastas are made with both hands together, such as Anjali, Kapota and Karkata. The Abhinaya Darpana lists 28 Asamyuta and 23 Samyuta, while the Natya Shastra lists 24 and 13.
Which text describes mudras in Indian dance?
The Abhinaya Darpana, attributed to Nandikeshvara, is the best known text on dance gestures and counts 28 single-hand and 23 double-hand mudras. The Natya Shastra of Bharata Muni is the older source that lists 24 single-hand and 13 double-hand gestures.
What is Bhumisparsha mudra?
Bhumisparsha, meaning earth-touching, is a Buddhist gesture in which the right hand touches the ground. It shows the Buddha calling the earth to witness his enlightenment at Bodh Gaya. It is seen in seated images of the Buddha from India and Southeast Asia.
What does Abhaya mudra mean?
Abhaya mudra is a gesture in which the right hand is raised with the palm facing outward. It means fearlessness, protection and peace. It appears in images of the Buddha, in Jain Tirthankara figures and in many Hindu deities, including Shiva and Vishnu.
Why are mudras important for UPSC?
They matter because Prelims asks about the names, types and meaning of mudras, especially in Buddhist art, and the Abhinaya Darpana. Mains uses them to link dance, sculpture and ritual, so they connect several GS Paper 1 heritage topics.
PYQ Practice — Statement Analysis
1 Anjali is a double-hand mudra.
It is a Samyuta hasta of folded palms.
2 Pataka is a double-hand gesture.
It is a single-hand Asamyuta hasta.
3 The Bhumisparsha mudra shows the Buddha calling the earth as witness.
It is linked to Bodh Gaya.
4 The Abhinaya Darpana was written by Kalidasa.
It is attributed to Nandikeshvara.
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