Rajasthan History, Art and Culture: RAS Prelims MCQs
1767 RAS Prelims practice MCQs on the history, art, culture, literature and heritage of Rajasthan are on this page, in 17 chapters. They run from prehistoric sites and inscriptions through the Rajput dynasties, the Mughal and British periods and the integration of Rajasthan, then move to forts, painting, folk arts, language, saints, fairs and leading personalities. Questions come as plain facts, statement sets, match-the-list tables and assertion-reason items, each with an answer and an explanation.
Practice questions based on the RPSC RAS Prelims syllabus. They follow the exam pattern but are not past-paper questions.
Showing 1151–1160 of 1767 questions
Browse Rajasthan History, Art and Culture chapters
RAS PrelimsRajasthan History, Art and Culture · Water Bodies and Water Heritage
Q1151. Read the following statements regarding the Indira Gandhi Canal Project (IGNP). Statement I: The advent of the IGNP brought immense agricultural prosperity to the arid districts of western Rajasthan. Statement II: The continuous supply of canal water caused a total abandonment of traditional systems like Tankas and Kuins in many areas, leading to waterlogging and soil salinity issues due to over-irrigation. Which of the following is correct?
Explanation
The Indira Gandhi Canal brought farming prosperity to the arid west, so Statement I is true. The constant canal water also led many to drop Tankas and Kuins, and over-irrigation caused waterlogging and salinity, so Statement II is true.
RAS PrelimsRajasthan History, Art and Culture · Water Bodies and Water Heritage
Q1152. Match the modern conservation challenge in List I with its corresponding sustainable mitigation strategy in List II.
Conservation Challenge
Mitigation Strategy
A. Siltation of Nadis
i. Strict legal demarcation and protection of Orans/Gauchars
B. Encroachment of Catchments
ii. Community-led regular desilting before monsoons
C. Pollution of Baoris
iii. Promoting widespread construction of Johads and percolation tanks
D. Groundwater Depletion
iv. Banning solid waste dumping and initiating structural restoration
Explanation
Siltation of Nadis is solved by community desilting before the monsoon, encroachment of catchments by legal protection of Orans, pollution of Baoris by stopping dumping and restoration, and groundwater depletion by Johads and percolation tanks. This gives A-ii, B-i, C-iv, D-iii.
RAS PrelimsRajasthan History, Art and Culture · Water Bodies and Water Heritage
Q1153. Which of the following represents the most sustainable long-term solution to Rajasthan’s recurring water crises?
Explanation
The most sustainable answer is to restore indigenous harvesting structures and combine them with micro-irrigation. This saves water and builds local resilience, unlike exhausting fossil aquifers.
RAS PrelimsRajasthan History, Art and Culture · Schools of Painting and Handicrafts
Q1154. Who among the following coined the term Rajput Painting in his 1916 publication to distinguish it from Mughal Painting?
Explanation
Anand Coomaraswamy was a pioneering art historian who introduced the term Rajput Painting in his 1916 publication. This classification was specifically created to distinguish the indigenous artistic traditions of the Rajput courts from the contemporary Mughal style. His work laid the foundation for systematic studies of Indian art history by emphasizing the spiritual and folk-rooted nature of these paintings.
RAS PrelimsRajasthan History, Art and Culture · Schools of Painting and Handicrafts
Q1155. Select the correct chronological sequence of the historical texts that influenced the early development of Rajasthan’s painting traditions.
Explanation
The early development of Rajasthan’s painting traditions follows a distinct chronological sequence of illustrated manuscripts. The Shravak Pratikraman Sutra Churni dates back to 1260 AD, followed by the Kalpasutra and Supasanah Chariyam from the fourteenth and fifteenth centuries. Finally, the Rasikpriya emerged during the later development of various schools, reflecting the transition from early Jain manuscript styles to classical Rajput traditions.
RAS PrelimsRajasthan History, Art and Culture · Schools of Painting and Handicrafts
Q1156. Identify the incorrect statement regarding the origin and development of Rajput painting.
Explanation
The Bhakti movement played a foundational role in shaping Rajput painting, contrary to claims of its negligible influence. It provided the thematic backbone for many works, particularly those focusing on Vaishnavism and the divine love of Radha and Krishna. Artists shifted from simple manuscript illustrations to expressive portrayals of devotion, making the movement central to the cultural and artistic evolution of the region.
RAS PrelimsRajasthan History, Art and Culture · Schools of Painting and Handicrafts
Q1157. Read the following statements carefully and select the correct answer from the codes given below. Assertion (A): Early Rajput miniature paintings predominantly featured themes of Nayak- Nayika Bheda and Krishna Leela. Reason (R): The revival of Vaishnavism and the spread of the Bhakti movement created a strong cultural demand for visualizing divine romanticism.
Explanation
Early Rajput miniature paintings frequently depicted themes of Nayak-Nayika Bheda and Krishna Leela because of the widespread revival of Vaishnavism. The Bhakti movement created a profound cultural demand for visual representations of divine romanticism and spiritual devotion. Consequently, the artistic focus shifted toward illustrating romantic moods and sacred narratives, where the relationship between the soul and the divine was beautifully personified through art.
RAS PrelimsRajasthan History, Art and Culture · Schools of Painting and Handicrafts
Q1158. The earliest dated miniature painting of Rajasthan, Shravak Pratikraman Sutra Churni, was painted by which artist during the reign of Rawal Tejsingh of Mewar?
Explanation
Kamalchandra was the talented artist responsible for painting the Shravak Pratikraman Sutra Churni in 1260 AD. This work was completed in Ahar, Udaipur, during the reign of Rawal Tejsingh of Mewar. As the earliest dated miniature painting in the region, it serves as a vital historical link between the ancient Western Indian manuscript style and the emerging Mewar school of painting.
RAS PrelimsRajasthan History, Art and Culture · Schools of Painting and Handicrafts
Q1159. The manuscript Supasanah Chariyam, a landmark in the evolution of Rajput painting, was painted in which year?
Explanation
The Supasanah Chariyam is a landmark illustrated manuscript in the evolution of Rajasthani art, painted in 1423 AD. This historical text was created during the reign of Maharana Mokal of Mewar at Delwara. It represents a significant transition in artistic style, showcasing earlier influences while paving the way for the refined miniature traditions that would later define the various Rajput schools.
RAS PrelimsRajasthan History, Art and Culture · Schools of Painting and Handicrafts
Q1160. Which of the following best describes the distinction between the Rajput and Mughal schools of painting as theorized by early art historians?
Explanation
Early art historians distinguished Rajput painting from Mughal painting by focusing on their core philosophies. Rajput art is predominantly spiritual and deeply rooted in local folk traditions, emphasizing religious themes and emotional devotion.
Answer key for these questions
Q
Correct answer
1151
(a) Both Statement I and Statement II are true.
1152
(b) A-ii, B-i, C-iv, D-iii
1153
(a) Combining restored indigenous harvesting with micro-irrigation.
(c) The Bhakti movement played a negligible role in shaping the thematic choices of Rajput painting.
1157
(a) Both A and R are true and R is the correct explanation of A.
1158
(c) Kamalchandra
1159
(d) 1423 AD
1160
(a) Rajput painting is spiritual and folk-rooted, while Mughal painting is court-centric and materialistic.
Key facts from Rajasthan History, Art and Culture
Rajasthan history questions are fact-dense: sites with their districts, rulers with their forts, inscriptions with their dates.
The integration of Rajasthan came in stages: the Matsya Union on 18 March 1948, the Rajasthan Union on 25 March 1948 and the United State of Rajasthan on 18 April 1948.
Culture chapters reward pairs: a dance with its community, a painting school with its subject, a fair with its month.
Statement-based and match-the-list items appear in every chapter, so partial knowledge is not enough; learn each fact with its context.
Fort and monument questions often turn on one detail, such as the Jaivana cannon at Jaigarh or the 1,444 pillars of Ranakpur.
Frequently asked questions
How many RAS Prelims practice MCQs are there on Rajasthan History, Art and Culture?
This page has 1767 practice MCQs on Rajasthan History, Art and Culture. Each has the correct answer, and most have an explanation.
Which chapters does the Rajasthan history, art and culture set cover?
Seventeen chapters: prehistoric Rajasthan, sources of history, ancient society, major dynasties, resistance and cooperation with central power, administration and revenue, the 18th and 19th centuries, peasant and tribal movements, integration, temples and forts, water heritage, painting, performing arts, language, religious life, social life and leading personalities.
What types of questions are included?
Plain one-fact questions, statement sets (I, II, III), match-the-list tables, assertion-reason items, chronological-order questions and odd-one-out questions. The answer options use the same four-option format as the exam, so you can practise the pattern as well as the facts.
How should I revise Rajasthan history with these questions?
Take one chapter at a time. Attempt every question before opening the answer, read the explanation for the ones you got wrong and note each fact in a running list of places, rulers and dates. Return to the chapter after a few days and attempt it again.